Introduction  
In Concert
1943
1951
1952
1953
1955
1956
1957
1958
1959
1960
1961
01/09 - Miami, FL
02/21 - Dallas, TX
02/23 - Houston, TX
04/06 - Buffalo, NY
04/11 - Birmingham, AL
04/13 - Atlanta, GA
04/15 - Charlotte, NC
04/17 - Greensboro, NC
04/23 - New York, NY
04/30 - Philadelphia, PA
05/02 - Newark, NJ
05/06 - Chicago, IL
05/08 - Dallas, TX
05/10 - Houston, TX
05/12 - Detroit, MI
05/14 - Cleveland, OH
05/21 - New York, NY
07/01 - Queens, NY
07/04 - New Port, RI
08/04 - Atlantic City, NJ
09/13 - San Francisco, CA
09/16 - Los Angeles, CA
09/20 - Denver, CO
09/29 - White Plains, NY
10/01 - Hartford, CT
10/17 - Rochester, NY
10/19 - Pittsburgh, PA
10/27 - Boston, MA
10/29 - Montreal, Canada
12/03 -Toronto, Canada
12/09 - Washington, DC
1962
1963
1964
1965
1966
1967
1968
1969
On Television
The End of The Rainbow
Ask Steve Sanders
Web Site Updates
Hot Judy News
Image Archive
View Slide Show
Judy Wallpapers
Guestbook
Contributors
Finding 'Rare' Judy
On Cable This Month
Contact Information
Other Websites


- Westchester County Center -

A Hit at Center
 County Center Crowd Hails Judy Garland
 By Louise Shonts, The Reporter Dispatch

A sellout crowd ranging from spellbound small girls in the balcony to Marlene Dietrich in the second row welcomed Judy Garland last night at her first Westchester appearance. 

At the County Center, Where she was presented by the White Plains producer Richard E. Petrucci, Miss Garland transformed the huge auditorium with its 4,300 audience into an intimate and lively party.

The one-woman-with-orchestra performance, which has drawn overflow crowds around the country, was attended by large numbers of her faithful fans, a considerable sprinkling of youngsters who know her only from late movies on television and an assortment of listeners who share the late Al Jolson's simple evaluation of her as "the greatest."

They came early and stayed late, many of them charging down to the footlights when "Over the Rainbow" signaled the end of the evening, besieging the singer for encores and handshakes, both of which Miss Garland gave generously.

With only one brief intermission for a change of clothes, Miss Garland gave the performance for which she is justly famous, literally singing her heart out in dozens of songs, nearly each of them which was wildly applauded before as well as after her rendition. In between, she talked informally to and with the 4,300 people in the hall. Or so it seemed, to the many people to dazedly expressed the feeling afterward that they had just come form a particularly joyous party. At one point, on invitation from Miss Garland, they helped out as she sang "For Me and My Gal," and, so great was her power and persuasion, they all sang together, and in time -- a feat which any community song director will testify is rare.

Her special talent for "working up" a song dominated the performance, which, according to Garland buffs familiar with her style, even topped her own past performances in spirit, timing, and pure quality. The incredible energy and joie de vivre were also up to -- and way beyond -- the Garland standard, which is high indeed.
 
 

MY EVENING WITH JUDY AND MARLENE
A Personal Remembrance
by Ray Hagen
Originally printed in the "Songbirds" Mailing List

OK, it's 1961, I'm living in New York, and Judy Garland's Carnegie Hall concert album had just come out.  I'd been avoiding her rather "uneven" recent concerts and didn't go to that one (I always loved Judy, though not unconditionally), but I got the album and was KNOCKED OUT by it!  She was in great voice, the arrangements were fabulous, and the Judy I'd loved was back in business.  And damn, I'd missed it.  Then she takes the concert on the road, and one Sunday I see, in the NY Times, an ad saying she'd be doing that concert in White Plains NY, not that far away.  So I call up my friend Phil, who also loved the album (and who, unlike me, had a car), and asked him if he'd like to go.  Sure.  So I write out a check for two tickets, put it in the mail, and a week or so later they arrive.  And they were for the FRONT ROW.  Way cool.

Comes the night of the concert.  We get there, and we're seated in the third and fourth seats left of the center aisle, front row, and it's not that big a theater.  So we're quite jived and waiting for the show to start (no opening acts, just Judy), and we hear a commotion building behind us.  We turn around, and who's walking down that center aisle but, holy smoke, Marlene Dietrich!  Now up till then Phil and I had both had the same opinion
of Marlene - we'd simply never understood what the big deal about her was.  But now here she is, coming down the aisle, and she sits in the first seat left of the aisle, second row, right behind us.  All we had to do is turn our heads maybe 1/4 around.  And our jaws dropped - I swear, neither of us had ever seen such an ASTOUNDINGLY BEAUTIFUL face in our lives, nor have we to this day.  We still talk about it.  I've never seen a photo or a movie frame that comes close to what we were staring at.  Un-bleeping-believable!

OK, now the show begins, and Judy, RIGHT in front of us, is AMAZING!!!!! Two & a half hours of non-stop peak-of-her-powers electrical dynamite!  Indescribable!   And every so often we'd turn our heads just a bit to the right and look a row back at that phenomenal Dietrich face with just enough stage light spilling over to illuminate this unimaginable presence - then back to POW! POW! POW!  from Judy - a peek at The Face again - back to Judy - back to The Face - for two & a half awesome hours.  I mean, WHERE DO YOU
LOOK?

Finally the concert is over and, on cue, everyone (the guys mostly of course) charges to the foot of the stage to touch LaDivina's hand, and she's leaning over to touch the worshippers.  That was the script and everyone knew it.  Phil and I stay seated, totally wiped. Then suddenly the crowd of worshippers parts like the Red Sea - MARLENE is walking ever soooo slooowly to the front of the stage.  Judy sees her.  Everyone is frozen.  Marlene is inhumanly cool and composed.  She raises her arm ever sooo slooowly to Judy. Judy leans over - and they TOUCH FINGERTIPS.  Then Marlene calmly turns and
leaves, the frenzy resumes, Phil and I remain seated, utterly zapped.  I assume we eventually got up and drove home, but that's my final memory of a rather astounding evening.

Like no business I know.

Ray Hagen


 

 

Reviews courtesy of Randy Wilson
Personal remembrance from Ray Hagen
Please direct corrections, technical inquiries and new submissions to the webmaster
See copyright statement
Judy Garland -The Live Performances! original artwork ©1995-2001 Steve Jarrett.